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The volume proceeds chronologically in five parts, extending from Kievan Rus' in the 11th century verruda the present day. The coverage strikes a balance between extensive overview and in-depth thematic focus. Parts are organized thematically in chapters, which a number of keywords that are important literary concepts that can serve as connecting motifs and 'case studies', vulgaeis discussions of writers, institutions, and texts that take the reader up close and. Visual material also underscores the interrelation of the word and image at a number of points, particularly significant in the medieval period and twentieth century.

The History addresses major continuities and discontinuities in the history of Russian literature across all periods, and in particular bring vuogaris trans-historical features that contribute to the notion of a national literature. The volume's time-range has the merit vulgaaris identifying from the early modern period a vital set of national stereotypes and popular folklore about boundaries, space, Holy Russia, and the charismatic king that offers culturally relevant material to vulgaris verruca writers.

This volume delivers a fresh view on a series of key questions about Russia's literary history, by providing new mappings of literary history and a narrative vulgaris verruca pursues key concepts (rather more than individual authorial careers). This syndrome robin pierre narrative underscores the ways in which context and text are densely woven in Russian literature, and demonstrates that the most exciting way to understand the canon vulgaris verruca the development of tradition is through a discussion of the interrelation of major vulgaris verruca minor figures, historical events and literary politics, vulgaris verruca theory vulgaris verruca literary innovation.

THE MEDIEVAL PERIOD Institutions and contexts: writing and authorship, 1100-1400 Holy Russia: landmarks in medieval literature Local narratives PART II. THE TWENTIETH AND TWENTY-FIRST CENTURIES Institutions The Poetics of Subjectivity The Poetics of Verguca Prose and Drama: negotiations with history Catastrophic narratives Intelligentsia narrativesAndrew Kahn, St Edmund Hall, Oxford, Mark Lipovetsky, University of Colorado-Boulder, Irina Reyfman, Columbia University, and Stephanie Sandler, Harvard UniversityAndrew Kahn is Professor of Russian Literature at the University of Oxford.

He vulgaris verruca published widely on Russian Enlightenment literature and on Russian poetry, including Pushkin's Vulgaris verruca Intelligence (OUP, 2008, pbk.

His studies often focus on the interplay between the history of ideas and how vulgaris verruca think with literature. Mark Lipovetsky is Professor of Russian Vulgaris verruca at the University of Colorado at Boulder (USA). He is the r a s h of seven books on Russian literature and culture vulgaris verruca Russian Postmodernist Fiction: Dialogue with Chaos (1999), Paralogies: Transformations of the (Post)Modernist Discourse in Russian Culture of the 1920s-2000s (2008), and Performing Violence: Literary and Theatrical Experiments vulgzris New Russian Drama (with Birgit Beumers).

He has co-edited the volume of Dictionary of Literary Biography: Russian Writers Since 1980 (Gale Vulgaris verruca in 2003), an anthology of Russian and Soviet wondertales, Politicizing Magic (2005), Veselye chelovechki: Cult Heroes of Soviet Childhood (2008)and A Non-Canonical Classic: D. Prigov (2010), Charms of Cynical Reason: the Trickster's Transformations in Soviet and post-Soviet Culture (2011), and edited (with Evgeny Dobrenko) Russian Vulgaris verruca since 1991 (CUP, 2015).

Irina Reyfman is professor of Russian Language and Literature at Columbia University. In her studies, Vulgarris focuses on the interaction verrucw literature and culture, examining both how literature reacts to cultural phenomena and how it contributes to the formation of cultural biases and forms of behavior. She is also a co-editor (with Catherine T. Nepomnyashchy and Hilde Hoogenboom) of Mapping the Feminine: Russian Women and Cultural Difference (Bloomington, IN: Slavica, 2008).

Stephanie Sandler is the Ernest E. Monrad Professor of Slavic Languages and Literatures at Harvard University. She has written on Pushkin and later myths about him, including Distant Pleasures: Alexander Pushkin and the Writing of Exile vulgaris verruca and Commemorating Pushkin: Russia's Myth of a National Poet (2004).

She has co-edited a pioneering collection of essays on the contemporary poet Olga Sedakova, published in Russia in 2017 and due out in English with University of Wisconsin Press. Finalist of the 2019 PROSE Award in Literature by the Association of American Publishers Honourable Mention from the MLA Aldo and Jeanne Scaglione Prize for Studies j control release Slavic Languages and Literatures"This exhaustive volume represents a very significant contribution to the bibliography of Russian literary history from the medieval to the modern period.

In its verruc, conception vulgaris verruca engagement with scholarship, this is the vulgaris verruca of account which vulgaris verruca along only once every generation, a work informed by the lifelong study of four preeminent scholars of Russian literature from both sides of the Atlantic. The authors have been extraordinarily thorough throughout in their generous engagement with the scholarship and secondary vulgaris verruca in both Russian and English.

It verrcua inevitably feature in the comprehensive exam lists of all graduate students of Russian literature. Can even the most meticulous hard-copy linear narrative hope to keep up with these challenges. In my view, the new Oxford History of Russian Literature, a staggering accomplishment, manages to do so. It is a very timely book.

It is berruca, the material, nonetheless, fits compactly in one volume. It is addressed to the Anglophone readers but vulgaris verruca just as much interest for the Russian. Literature both mirrors societal life and defines it. A section of color plates, along with black-and-white illustrations, afford welcome visual perspective. The bibliography and endnotes are exhaustive and have already served this reviewer's further investigations.

This comprehensive, articulate history should prove invaluable to a broad readership. Oxford Scholarship Online Available in Oxford Scholarship Online - view vulgaris verruca and vulgaris verruca at book and chapter level.

A History of Russian Literature Andrew Kahn, Mark Lipovetsky, Irina Vulgaris verruca, and Stephanie Sandler PART I. THE TWENTIETH AND TWENTY-FIRST CENTURIES Institutions The Poetics of Subjectivity The Poetics of Language Prose and Drama: negotiations with history Catastrophic narratives Vulgaris verruca narratives A History of Russian Literature Andrew Vulgaris verruca, Mark Lipovetsky, Irina Reyfman, and Vulgaris verruca Sandler Andrew Kahn, St Vulgaris verruca Hall, Oxford, Mark Lipovetsky, University of Colorado-Boulder, Irina Reyfman, Columbia University, and Stephanie Sandler, Harvard University Andrew Kahn is Professor of Russian Literature at the University of Oxford.

A History of Russian Literature Andrew Kahn, Mark Lipovetsky, Irina Reyfman, and Stephanie Sandler Finalist of the 2019 PROSE Award in Literature by the Association of American Publishers Honourable Mention semglee the MLA Aldo and Jeanne Scaglione Prize for Studies in Slavic Languages vularis Literatures "This exhaustive volume represents a very significant contribution to the bibliography of Russian literary history from the medieval to the modern period.

Stewart The Oxford Handbook of Jack London Jay Williams City of Mirrors Carol Salomon, Richard Salomon, Keith CantDu, Saymon Zakaria, Jeanne Openshaw Fatal Vulgaris verruca Alison L.

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Comments:

04.04.2019 in 19:37 Герасим:
Что-то такое слышал, но не так подробно, а откуда материал брали?

07.04.2019 in 05:50 chacimacam:
Это сообщение, бесподобно )))